Monsters That Remember: Tracing the Story of the Workers’ Monument in Tophane, İstanbul – Part II
I would argue that the concept of artificial-natural may be illuminating for understanding how the modern state commands or attempts to command memory.
I would argue that the concept of artificial-natural may be illuminating for understanding how the modern state commands or attempts to command memory.
Monuments have been erected with a claim to embody the will to remember; yet, paradoxically, they have mostly served to reify the present as a fulfilled moment of arrival, canceling the need to re-find and remember the past in the present. In other words, they contribute to the closure of the past as a dead body.
A conversation with Chto Delat (Dmitry Vilensky) and Biro Belgrade (Vladan Jeremić & Rena Rädle), the authors of the video Partisan Songspiel. Belgrade Story where we discuss contemporary anti-fascist struggles, particularist politics and historical consciousness.
Hereby we present a conversation where Erdoğan Yıldız, who has been a resident of Istanbul’s Gülsuyu-Gülensu neighborhood for 28 years and a social and political activist in various dissident urban movements, and members of the artist collective Oda Projesi, who took part in the Cultural Agencies project realized in the same neighborhood from 2009-2010, reflect on their common experiences.
This project was realized in collaboration with Ha Za Vu Zu and Yeni Sinemacılar art collectives.
Today İstanbul ranks seventh among world cities in the number of foreign visitors and international meetings it hosts and fifth in the number of dollar millionaires living within its premises.
Before the 1999 Marmara Earthquake we were individual people undertaking this sort of solidarity efforts. We had several though not major attempts of continuing this exercise of solidarity in the form of an association, foundation or a similar initiative.
On the evening of September 21, 2010 the Tophane Art Walk, a coordinated series of exhibition openings centering in large part along Boğazkesen Street in Istanbul, marked the beginning of the art season after the summer break. Shortly after 8pm, a mob of around 20-40 people attacked the galleries and their visitors one by one, undisturbed by the police for the best part of around 30 minutes, if not longer.
The third issue of the Red Thread e-journal comprises of critical case studies, essays, and interviews that come from the region the journal has been focusing on from its inception, and that discuss the different forms of struggle devised by socialities that can be considered “disprivileged” in economic, social and political terms and the intricate and usually complex relationship of artistic and activist practices to these groups.